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Hartati, Dian
Universitas Singaperbangsa Karawang
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Other

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Journal : GERAM (GERAKAN AKTIF MENULIS)

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Ekranisasi Novel ke Film Dear Nathan: Thank You Salma yang Disutradarai oleh Kuntz Agus Nurpiyah Rizki; Dian Hartati
GERAM Vol. 11 No. 1 (2023): GERAM (GERAKAN AKTIF MENULIS)
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia FKIP Universitas Islam Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/geram.2023.vol11(1).11602

Abstract

The research was motivated by the numerous movie adaptations of novels that capture public interest. During the process of adapting a novel into a movie, the director makes certain modifications. One such instance is the adaptation of the novel Thank You Salma into the movie Dear Nathan: Thank You Salma. These alterations give rise to both similarities and differences between the novel and the film. The objective of this research is to describe the process of adapting the novel Thank You Salma by Erisca Febriani into the film Dear Nathan: Thank You Salma, directed by Kuntz Agus. The research methodology employed is descriptive qualitative. Data collection techniques involve reading, watching, and taking notes. First, the researchers read the novel. Second, they watched the film to observe and document the process of adaptation. Lastly, the researchers recorded the similarities and differences between the novel and the film, specifically about the adaptation process. The findings reveal that the movie entailed reductions in the plot, characters, and setting, as well as additions to these aspects. Additionally, there were various changes made to the plot, setting, place, and characterization. Furthermore, there were similarities in themes, points of view, language style, and the underlying message conveyed in both the novel and the movie. Despite these changes, the movie successfully attracted a wide audience and received positive feedback on social media, as it addressed social issues related to sexual harassment against women.
Co-Authors Aditya Fatur Rochim Adya Nitami Afni Nur Akmalia Ahmad Abdul Karim Ahmad Abdul Karim Ahmad Abdul Karim Ahmad Abdul Karim Ahmad Abdul Karim, Ahmad Abdul Alika, Annisa Chintiya Nur Alip Sujana Alma - Lutfiyana Alya Aghata Dewi Amelia Indah Nurfitriani Athaya Salsabila Atik Sumiyati Aulia Dini Syadiah Aulia Rachmawati Widi Hartati Dadang Danugiri Dian Komala Dian Novita Sari Dila Apriyanti Doli Christian Malau Eliza, Siti Nur Esa Hilma Euis Kurnia Febi Saskia Firdauzi Nur Sita Fitria Ramadani Fitria Ramadani Gita Rachmasari Apandi Hana Awu Utami Hana Septiana Jamal Hartati, Aulia Rachmawati Widi Ika Nurhandayani Ika Wijayanti Imam Muhtarom Indriani Indriani Iqbal Sidik Jamhari Jamhari Jessica Juneta Kurnia, Euis Kurniasih Kurniasih Laura Magvira Lestari Parhusip Lilis Muhlisoh Lina Carollina Koswara Lulu Lutfianingrum M. Januar Ibnu Adham Mahmud Mahmud Mariah Qibtiyah Mikdar Mira Sasmika Muhamad Yuda Firdaus Nea Resta Nia Amelia Novia Astutik Novia Nurkamila Nukky Hervianty Nurpiyah Rizki Oding Supriadi Oding Supriadi, Oding Rahmi Suryati Raisa Bilqis Ramadhani Rani Nuraini Ratih Dewi Apriliani Ratna Sari Rina Arci Hasanah Risma Widiastutik Rizky Kurnia Dewi Roni Roni Nugraha Syafroni Sahlan Mujtaba Silvi Athala Naziha Sindy Fibri Yani Sinta Rosalina Sinta Rosalina Siti Faridah Siti Fatimah Awaliah Siti Harum Setianingsih Siti Robi'ah Adawiyah Slamet Triyadi Sopiah Sopiah Suntoko Sutri Sutri Tralleta Elkana Hayashi Uah Maspuroh Ulhaq, Dhiya Vina Aulia Vivi Hikmawati Wachyudi, Kelik Wienike Dinar Pratiwi Wisanti Wisanti Yayu Yayu Yola Dwi Aprilliah Yovitan Maulidyarsih Yuliani Yuliani